Reviews | RH-026 | SERGIO FIORENTINO | early live & unissued takes
| 19 January 2023 | Jonathan Woolf | MusicWeb International | Sergio Fiorentino (piano) Early Live and Unissued Takes «This single disc covers a period of some 15 years in Fiorentino’s career, delving right back to the Geneva International Music Competition in 1947 when he was still not quite 20. The acetates have been preserved in surprisingly good sound and show him in Bach and Chopin. [...] Rachmaninov’s Fourth Concerto [...] shows that Fiorentino had mastered questions of bravura and balance by this time and was already a leonine and imperturbable soloist. [...] Saga released a number of Fiorentino’s recordings under Pouishnoff’s name and here three are restored and properly attributed. The Mephisto Waltz forms part of Fiorentino’s dazzling Lisztian discography whilst the Polonaise-Fantaisie, and Impromptu No.4 (the Fantaisie-impromptu), reveal a combustible but splendidly proportioned and controlled rhetoric. Pouishnoff could simply not have managed this at his age and in his declining health. [...] Everything is heard in as fine a sound as can be imagined and there are useful biographical notes and photographic reproductions. It’s to Ernest Lumpe that we must turn for thanks for providing the material and to Emilio Pessina for his restorations. » |
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14 January 2023 | Gary Lemco | Audiophile Audition - ☆☆☆☆☆ | Sergio Fiorentino, Piano – Early Live and Unissued Takes, 1947-1962 Producer and editor Emilio Pessina has compiled a series of diverse repertory performed by Italian piano master Sergio Fiorentino (1927-1998), the concerts culled from the collection of Ernst Lumpe. The various performances originate from venues including a live concert in Edinburgh, studio recordings from Hamburg and London, and previously unissued acetate 78s from Geneva’s Victoria Hall. Most happily, the sonic quality from the sources, whether acetates, vinyl, or original master tapes, has been excellently restored, and the electrifying spontaneity of Fiorentino’s playing proves irresistible. [...] A disc well recommended. »
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3 January 2023 | Jean-Charles Hoffelé | ARTAMAG' - Focus - Le disque du jour | FIORENTINO DE JEUNESSE « (Rachmaninoff Piano Concerto No.4) C’est le trésor absolu de ce plein disque d’inédits qui brosse un portrait du pianiste en jeune homme, avant l’accident qui le forcera à quelques années de retrait.
L’autorité fabuleuse, le pianisme consommé des deux captations au Concours de Genève, de précieuses acétates, nous offrent une Fantaisie de Chopin d’anthologie, et les prises restées jusque-là inédites des enregistrements londoniens pour Saga révèlent une Méphisto-Valse sous stupéfiants et une Tarentelle de Chopin irrésistible où le clavier chante autant qu’il danse. »
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| 1 November 2022 | Stephen Greenbank | MusicWeb International | Sergio Fiorentino - early live & unissued takes Pianism of the finest order. | «[...] Bach’s Prelude & Fugue No 20 in A minor, BWV 889 (WTC II) is remarkable for its penetrating tone, clarity of articulation and expressive intimacy. Fiorentino intelligently structures the Chopin Fantasie, gradually moving from modest beginnings to high-octane intensity. In the central section he finds poetic serenity. Enthusiastic applause follows each of the items. [...] There’s no doubting that the 4th Concerto (Rachmaninoff) isn’t as memorable as its predecessors. Fiorentino captures the works elusive elements, probing its transient moods and making some success of the concerto as Michelangeli did. His virtuosity is flawless. [...] Liszt’s Mephisto Waltz is a reading of breathtaking brilliance and brimming over with diablerie. Chopin’s Polonaise-fantaisie in A-flat major, Op 61 is rhapsodic and improvisatory in Fiorentino’s hands with an underlying melancholic vein. The central section of the composer’s Fantasy Impromptu is poetically sculpted without resorting to sentimental excess. Chopin’s Tarantella is a dazzling tour-de-force, whilst the pianist’s own arrangement of Rachmaninoff’s Vocalise is soul-searching with a certain elegiac quality. [...] The excellent 24bit 96kHz remasterings by Emilio Pessina do Fiorentino’s memory proud.» |